


I showed Sally some pictures of Stephen from school days and she asked me if I'd send her copies. I post them here that others might enjoy them as well.

WAY TO SEA
or: THE UNDERWATER JOURNEY BY RAIL FROM NORTH BEACH TO CENTRAL SQUARE
When I lived in San Francisco, I used to live in North Beach, and our apartment looked down over the bay, and you could actually see Alcatraz. Lying in bed at night I could hear the foghorns. They're so pretty and tuba-like, I began to wonder if you could make music based on the foghorns. It probably wouldn't be as pretty. But what if I could write myself out of the music? Could I make something as nice as the foghorns? What if there were no me, just sound? Who'd be left to play the tuba?
I went down late one night to the ferry building, to take the bus that takes you to the train. It was dark and I could hear the foghorns and the sea lions. I didn't even have to wait, I was on the bus already, going along the harshly over-lit Embarcadero. The bus started filling with smoke, and it was getting hard to see, and I turned to Paul and said, I think we're going underwater. I wonder if the bus has been hijacked. And Paul looked back at me and smiled with mocking delight and nodded his head, yup, and pointed out the window and we were still driving down the Embarcadero but it was the streets that were underwater, somehow there was a flood or something and we were going by the same buildings, traffic lights, billboards, but it was all underwater, and beautiful glowing fish went swimming by, all different colors.
I guess I was riding the train then, but outside the night was a deep dark blue. Paul had gone to the bar car I guess, and sitting next to me was a man wearing stupid hat folded out of newspaper like kids make and across from me was a goat wearing a jacket with patches on the elbows and little half-glasses and they both made me nervous so I looked out the window and I saw giant orange jellyfish flashing, deep at the bottom of the ocean now. They were spelling out words, or signs anyway which I couldn't read or understand, but still they were beautiful to look at and I felt happy and easy looking at them the way I did listening to the foghorns.
I guess I fell asleep, but anyway when I woke up the train was going along the coast and it was just before the sun was about to come up, you could just see the streaks of light orange on the blue horizon, and the grapes in the vineyards along the coast were glowing. The train turned right off the tracks and I thought oh no, it's going to go into the water, but somehow through some sort of hydraulic miracle we went over the water, we were actually airborne. Just then a school of electric colored flying fish came out of the water, right towards the train, and plunged back in before we collided.
We arrive at the station on track three and I switch trains. Opposite the station is a beautiful cathedral, looking like something from a Monet painting. James gets on and sits next to me and I'm happy to see him. He wants to kiss me on the mouth, and I don't mind, but he's obviously been up all night and his beard is scratchy and he smells like cigarettes.
The train starts going down the tram tracks, faster and faster, and we go over the bridge where the ions are supposed to cure depression. It's finally starting to get light, and I think we can go to the University and meet Tracy there. She's been there taking classes all night and we can take her home.
I hear the scream of the break shoe and feel the train stop and that wakes me up; it's my stop, Central Square. As I hurry to get off I realize, in a flash, two things: I realize that all the time I've been on this train doesn't count against the time I have to live, because the train is somehow outside of time; and I realize that every good band has a train song.

Cosmo never answers any questions. Cosmo doesn't like to answer questions. Cosmo doesn't need to answer any questions because the answers are all on the surface. They are all on the outside where they can be seen so there is no need to answer any questions.
Someone wanted to spell it with a k and a z. She said otherwise it would be too heavy. Cosmo is a little heavy but that’s no reason why not to spell his name correctly.
Cosmo is very watchful, but he includes all things in himself. You just have to calculate the distance from the center and you realize that it’s all there.
Cosmo’s unity delights us. Cosmo cannot be divided, even in perception, without sorrow.

This is Room 100. It’s bare except or the television screaming in white. It never goes off, just gets bigger and smaller.
You may get the Tower Room. It’s exceeding long with high ceiling. Children make their noise en masse outside in the schoolyard. It comes with a fever. Not many choose it or can find it. It may no longer be there.
Room 612 has a view of the parking lot. It’s very reassuring.
On the fourth floor, all the rooms are one. Desks and beds are laid out for efficient work and rest.Please keep the lavatories clean. Or else.
Some choose to stay in the elevator. Saves choosing. They’re pleasant! And they work.
The north staircase is the most used. It doesn’t clean easily and still carries the smells of smokers past. Cockroaches can occasionally be seen. Some food trays may not have been cleared. It can get hot.
Room 202 has vast curtained windows. All the furniture is large. The carpet is thick. There’s a table for the Board of Directors. They’re not here; they rarely come. It’s very clean. You feel someone might walk in at any moment. With a request for you, or to take your request, or maybe with an order. Whatever it is you know you’ll accept it or maybe they’ll accept it. Whatever it is, it will be acceptable.
The central landing on the fourth floor is simply appointed with a couple of desks, chairs and framed pictures from old magazines. The window ledges are rather high. You have to stand almost on tiptoe and lean over to see the busy students and professors hurrying in the courtyard below. It’s a perfect place to consider suicide. Never been done, though.
The terrace is a good place to meet and talk. There’s a flow of people and there are spaces for little groups to form and dissolve naturally. Most people are happiest here, in between where they’re coming from and where they’re going to.
Here’s the first floor reception area. Remember: waiting is not the same as striving.
The men and women who work at the reception desk see you as an object to be processed by screening. Just do what they say. Don’t be affronted if they appear to regard you with curiosity or without curiosity, with or without interest, in a friendly or unfriendly way. They don’t care about you at all. You’re just passing through. Do so quietly.
In Room 100, you’re trying to figure out what the TV’s screaming about. Actually, it’s you screaming.
The power plant is very impressive. Nobody works there, they just oversee it. It works by itself, making power and moving it, heating and cooling. Always turned on and pumping--for your benefit and mine
You can get there by train. Who are all those people, heads nodding? Are they waking or falling asleep? Some are fresh and some are wilted. They all seem to have been riding for a long time.
“Which room is mine?” Which would you like? Choose one you can have and make it your own.
Room 617 has a small kitchen and dining room. A couple of plants here and there could make it quite cheery. Put a home entertainment system with cameras, speakers, phones and screens. Watch yourself or allow someone else to watch you. It’s like picking at a scab or eating potato chips though; you can’t always stop when you want to.
Some prefer the dormitories. They make it easy to be oneself by resembling someone else. Deserted throughout the day, by night they’re saturated with the warm, heavy smell of communal somnolence. What a thrill to escape from the severe rows of identical cots and lockers into wild, turbulent dreams. And how satisfactory the relief at returning, your departure not noticed or remarked upon.
Sometimes you don’t get enough privacy. The sound of someone else shitting, or trying to come, or sobbing may disturb or arouse you. Pretend you’re not aware.

Here's one of the exhibits I did for the USGA Museum. It not only features the exciting rivalry between Arnold Palmer and Jack Nicklaus, it has a stack of vintage TVs! As we all know, one TV is nice, but nothing sucks you in like a wall of glowing screens. 

Since I was asked, macro photography is done using a lens that allows you to focus on a subject that is inches away, basically so you can take close-up pictures of tiny things. I don't know why it isn't called micro photography, but it has something to do with the fact that the image on the negative is the same size as the object. On the other hand, if you take a photo of your head, the image is much smaller than your head.
I was visiting a friend in Berlin recently, and we went to Rotterdam to see the Cure. She is a huge fan, I was just curious (pun thought about and rejected).
We said goodbye to Tim the Cat last night. She was known variously as: Timsy, Stim, Smitty, Mitts, Skibbitty, the Kid, The Boo, The Boodle, the Bandit of Love, Mean Little Kitty, MLK and the Baby Nurse Shark. She was rescued from under the Grand Teton Music Festival Hall, where I was working when Juliana were first living together in 1992. I was cleaning up at the end of the season and kept hearing a loud meow. An intrepid electrician named Tim Jacobsen crawled on his belly and rescued her from a hole beneath the Festival Hall. She was so small she fit in his pocket. She was black and white and matched our other cat Random, so we kept her. We named her for her rescuer though she was, of course, a girl. She had blue eyes, a little pointy tail and a mask on her face. She was only a few days old and had to be bottle-fed, but still had the loud meow that had first brought her to my attention.
When she was only a few months old, she took a stereo speaker to the head, which was nearly fatal. It left her dizzy, cross-eyed, averse to being touched or petted and frequently bad tempered. She once held Juliana’s mother at bay when the latter was in our kitchen baking a birthday cake. She gave my mother the kitty come-on and my mom, despite having been warned, reached in to pet her and was rewarded with a bloody scratch.
Though she wasn't too partial to me, or the other cats or the dog, she was somewhat overfond of Juliana. She liked to lie curled up in her armpit at night, growling if she dared roll over or shift her weight. She always had a favorite warm place: under the table by the heater in our first house, in the patch of sunlight that moved along the floor throughout the day at the Linn ranch and in front of the floor-to-ceiling radiator that we called The Wall of Fire in our place in North Beach. She would lie there contentedly with her eyes closed, growling slightly as I walked past and occasionally taking a swipe at my bare feet. She spent most of our time in Woodland under the daybed upstairs in her so-called Norma Desmond phase. Like the rest of us, she seemed to prefer Berkeley, and found new favorite perches and slept on the bed again.
Juliana had told me a while ago that Tim was undergoing kidney failure, though she seemed as cheerily ill-humored as ever. In the last week she stopped eating, not even tuna or scrambled eggs. She still could jump in the shower to lick up the water, an old favorite activity, and had taken up yowling in the middle of the night, the same famous meow that saved her life fifteen years ago. Last night was the end. It’s tough to lose a friend and we miss her.